Taking a "day in the life" approach, Linklater's camera follows a variety of oddball characters (most of them unprofessional actors) who cross paths as they go about their strange business in and around the University of Texas. This mesmerizingly lackadaisical, gloriously shambolic creation is a love letter to the boredom, part-time employment, and cheap rents that flooded '90s college towns (which now feels like ancient history). Orion Pictures/Everett CollectionĬoffee shops, conspiracy theories, Madonna's pap smear - Austin has changed a lot since Richard Linklater's ode to the velvet coffin/college town lifestyle was filmed there. Related content: Elaine May to direct PBS documentary about her comedy partner Mike Nichols D.W.Ĭast: Peter Falk, John Cassavetes, Ned Beatty ![]() Eventually, Mikey and Nicky got the happy ending it deserved, including a 1986 re-cut, a Criterion release, and near-universal critical acclaim. ![]() She also hid the film in her garage so that the studio couldn't seize it and mangle it with edits (which they did, eventually, leading to box office failure). Wild tales from the set abound, including May's habit of letting the camera run for hours (to capture the impromptu moments), which ended up with more footage than Gone With the Wind. With a powerfully raw script and a gritty aesthetic, the film captured two men at the end of their grubby ropes. This brings us to her film Mikey and Nicky, a darkly comic tale of friendship and toxic masculinity starring John Cassavetes as a paranoid mobster and Peter Falk as his lifelong best friend. Related content: New to DVD: Francois TruffautĮlaine May was that Hollywood rarity: an acclaimed comedian and writer turned director with a singular, eccentric vision - who also happened to be a woman. D.W.Ĭast: Jean-Pierre Léaud, Albert Rémy, Claire Maurier We won't spoil the ending by telling you what the iconic final shot is except to say it's devastatingly perfect and perfectly devastating, just like the film itself. Each moment is more interesting than the next thanks to the shaggy, sensitive, stunning visuals - the spinning carnival Gravitron ride, the claustrophobic faces of his stressed parents, the way Antoine guzzles a bottle of milk in an alley - which are guaranteed to grab you. Credited as one of the crown jewels of the French New Wave film movement, the story follows 12-year-old Antoine (played by Jean-Pierre Leaud, resembling a young Jake Gyllenhaal), as he floats from a rough home life to a strict classroom to a life of juvenile crime. Related content: Chris Evans raving about Toni Collette in Hereditary to Toni Collette is all of usįrançois Truffaut's autobiographical classic, beautifully shot in rich black and white on the streets of Paris, looks as modern and vibrant today as it did when it was made. A genre geek’s paradise, with references to - and vibes reminiscent of - classics like Rosemary’s Baby, The Exorcist, and The Shining, our critic writes that “ Hereditary doesn’t reinvent horror cinema so much as polish the cobwebs off of its classics, strip them for parts, and refashion them into something that feels terrifyingly fresh and new.” -Ilana GordonĬast: Toni Collette, Alex Wolff, Milly Shapiro, Ann Dowd, Gabriel Byrne Offering up a performance that is “raw, almost feral,” Collette invites us into her brain as she processes her mother's death, experiences an implosion within her immediate family, and questions her own sanity. Thematically centered around the unknown horrors lurking within one’s gene pool, Collette is “scary good,” according to EW’s critic. After Annie ( Toni Collette) suffers the loss of her mother, she discovers the dead never really leave us - even when we desperately want them to. ![]() A psycho-thriller horror film directed by Ari Aster and produced by A24, Hereditary is all about family, but this content is not suitable for everyone at the dinner table.
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